Stagehand #1: "That old carpenter? He stays in his room watching gun shows and screaming at the TV."
Stagehand #2: "Yeah, it is pretty amazing. I didn't know you could do less than nothing."
Stagehand #1: "That old carpenter? He stays in his room watching gun shows and screaming at the TV."
Stagehand #2: "Yeah, it is pretty amazing. I didn't know you could do less than nothing."
"no mopes, no shirks, no jerks"-- "My hiring philosophy is easy to remember--no mopes, no shirks, no jerks."
"A show's not dead until it dies on Broadway"--a doomed musical may travel the country for years, in workshops and productions, with hopes of succeeding on Broadway. Producers dreams are finally dashed when the show bombs and dies on Broadway. Maybe it is the final stake through the heart.
The retort should be, "There is always 'Encores' in 20 years." ("Encores" is the acclaimed series at City Center that revives old successful shows and beloved bombs.)
a douchebag with a human face--pleasant-seeming person who does horrible things behind your back.
unmake a bad stagehand-- to cure a young stagehand of bad habits. "That TV commando I got from the hall? She was a nightmare, more obsessed with breaks than doing her job. I'll never use her again. I don't have time to unmake a bad stagehand."
Stagehand #1: "I hate that carpenter. He's a 76-year-old dry-drunk racist, who sits in his office, screaming at the TV."
Stagehand #2: "Oh yeah, they're really cute at that age."
the Great Local #1 Headcase--a Broadway head, famous for hiring old timers on his crew, promising them the world, then dumping them. "Be careful of that head-- he's the Great Local #1 Headcase...he'll give you work, but he'll break your heart. You can almost put the screwing on your calendar."
"Anyone Can Tour"--a reference to the ACT card that is an IA card given out when a production company offers you a job and sends a letter to the International. The real meaning of the acronym is "Associated Crafts and Technicians." Some stagehands keep their ACT cards for decades, others join locals to hide their ACT roots.
to 'Beau' a stagehand-- when a stagehand refuses to leave a job they are stiffing and for revenge by the head, he or she is stripped of all extras, including presets, rehearsals, work calls and special events. Term comes from an annoying stagehand named Beau, who refused to leave a mega-hit Broadway show when the original stagehand who held the position asked to come back. He kept the job for several years until the show moved to another theater, but never earned another extra penny.
out-assholing each other--when two stagehands ramp up attacks on each other. "At a job once, I was caught between a drunk and a dry drunk. They hated each other and spent all their time trying to out-asshole each other."
"When your extra man tells numerous humorous stories about fighting his bosses and getting thrown out of different venues, you better get ready to fire him."
the preservative quality of alcohol--when a rummy lives into old age, pickled by alcohol. "Double-A, a famous Local #1 fall-down drunk with a violent streak, lived to 81. I guess you could say that is the preservative quality of alcohol."
there are lots of ears--the walls have ears...Be careful what you say in the theater, people are listening. "There are a lot of ears around here. Let's go into the alley to talk."
diva whisperer-- famous wardrobe woman named Suzi Gomez-Pizzo up at the Metropolitan Opera, responsible for dressing and keeping up the emotional morale of sopranos like Julia Bullock, Anna Netrebko and Deborah Voight. Term used in a New York Times profile of Gomez-Pizzo on June 13, 2025, on her retirement from the Met after 18 years.
dick dynasty--when a nasty head famous for abusing his crew passes on his nastiness to his son or daughter, who then becomes a head and is abusive to their crew, as well. Now there are two generations of nasty heads in the same family, a dick dynasty.
a bookmark--a stagehand inserted into a job on a temporary basis, possibly to prevent another stagehand from getting the job.
The Monster of Broadway is Back! Scott Rudin, the producer of "The Book of Mormon" and "To Kill a Mockingbird," was exiled from Broadway four years ago when it came to light that he had bullied, threatened and thrown things at his assistants, running through literally a thousand people in 10 years. With a semi-fawning, rehabilitative article in the March 28th, 2025 New York Times, Rudin is coming back to Broadway with three straight plays for the 2025-2026 fall-winter season, two of them starring Laurie Metcalf.
to Marie Kondo your crew--to get rid of your crew, because they don't bring you joy. "That head? When the show ended, he got rid of his crew. He Marie Kondo'ed his crew because they didn't bring him joy." A reference to the Japanese anti-clutter specialist Marie Kondo, who says if your possessions don't bring you joy, get rid of them.
Quack Quack-- nickname for a stagehand who talk too much. "The 45-year-old apprentice would talk your ear off. The older stagehands started calling him Quack Quack."
The straight play "Awake and Sing" by Clifford Odets was at the Belasco in 2006. The ghost of the theater owner and impresario David Belasco is known to play benign pranks on visiting actors. Mark Ruffalo played a gangster in the show and as a method actor, when his character went into the bedroom to take a nap, Ruffalo would walk through the set and lay down on a cot outside the set wall.. Of course, the nearby carpenters, Big Al and Little Al, would harass him. One night, Ruffalo got a wet willy. He brushed the finger away and said, "Big Al, stop it!" No one was there. We believe that the ghost of David Belasco gave Mark Ruffalo a wet willy.
production meeting karma--when difficult production people get flayed alive at post-preview production meetings. "The famously backstabby production stage manager was called out by name at the post-show production meeting and reamed out by an angry director. She experienced some production meeting karma."
cross-hire--in one theater, where one head hires a stagehand who works in a different department. "The electrician refused to let his stagehands be cross-hired by the other heads. If you worked for the carpenter or prop man, he would not hire you again."
shaping while baked--when a stagehand shows up looking for work stoned. "The 40-year-old stagehand smelled like skunk weed when he came by looking for work. I've dealt with drunk men looking for work before, but this was the first time I had a guy 'shaping while baked.'" "shaping" is an old stagehand term for showing up a job site, looking for work.
murder bathroom-- famously grim Broadway bathroom. Exposed concrete, the smell of urine and a creepy environment.. Nicknamed the "murder bathroom" by wardrobe. "There hasn't been a murder in the murder bathroom yet, but one day there will be." Bathroom was featured on Instagram. Also nicknamed the "saw bathroom," after the horror movie.
Local One suicide bomber--when a stagehand seems intent on blowing up his or her job. "He was a good worker for me for five years, then suddenly turned on members of the crew, and even the boss. He seemed intent on getting fired, on blowing up his job on the show. He got his wish. He was a Local One suicide bomber."
to dog walk someone--to publicly humiliate someone, to figuratively walk someone on a leash in front of others. Compliments of the rapper Cardi B.
Stagehand #1: "The shop fucked up again. They forgot to send controller cables. God willing, they will come on the next truck."
"know your assholes"-- "That middle-aged stagehand? She's famous for attacking other women on the job. You've been warned. Know your assholes."
"We hate the same people"--when stagehands are bonded by their mutual hate of the same people. "I love eating dinner with that guy. We have great conversations. We hate the same people."
"You can't hit a moving target"--If you are working around the theater or constantly moving, management has a hard time nailing you, and stage managers can't find you. If you are in your office, with your feet on the desk, you become an easy target.
"I am sure props invented the wheel...I guarantee it!" Theatrical Teamster at a recent loadout making fun of the prop department's reliance on dollies when loading trucks.
balls in a jar-- castration reference, possibly as a response to violent behavior or other serious trouble. "When the theater owners finally put his balls in a jar, the violent old carpenter stopped attacking his co-workers. He retreated to his office and stayed there, watching gun shows and screaming at the TV."
NEW BROADWAY HOUSE HEAD: "You've been a head for 25 years. How many years did it take for you to start going nuts?"
OLD BROADWAY HOUSE HEAD: "What do you mean? Talking to yourself and firing your crew? I'd say about 10 years. Yeah, 10 is a good number."
there are lots of ears--the walls have ears...Be careful what you say in the theater, people are listening.
gilding the turd-- throwing good money away by trying to improve something that is worthless. Excessive amounts of labor and materials used to fix a prop or scenery that may not benefit from the attention. "The contract propman had me on construction to rehash an IKEA table. It was gilding the turd."
deaf and dumb (D & D)-- an old longshoreman's term. "He's deaf and dumb, he didn't hear anything and can't say anything about it."
YOUNG POPULAR STAGEHAND: "I just get off the bus and go where they tell me to go." When a young stagehand, who is always working, has no agency over the venues he/she works in, and doesn't care. He/she follows the orders of the heads who hire them.
adult daycare-- when an older boss comes to work every day, but delegates everything to his/her assistants, not working him/herself, using the job as a place to go. "The old head had entered the adult daycare period of his career, not leaving his office and only playing guitar all day."
Worried Stagehand: "Why have you stopped hiring me?"
Head: "I got sick of the bomb-throwing and the shit-stirring. I think you fucked yourself. Would you call that an auto-fucking?"
"no tools, no hardware, no interpersonal skills, no dignity"--a Broadway production carpenter famous for coming to the theater empty handed and only bring his abrasive personality.
a bomb thrower--stagehand who intentionally says provocative things, to stir the shit. Often collapses when confronted with their bullshit.
the Disappearing Stagehand--a stagehand who constantly disappears during the workday. "A friend recommended a young stagehand. He was good, he worked hard and took initiative, then he started disappearing multiple times during the workday. I realized that I had unknowingly hired the Disappearing Stagehand. For my last magic trick, I disappeared him back to the replacement room forever.
Le Miza Bob--a miserable stagehand named Bob, always complaining and sucking the life out of those he works with. A takeoff on the title of the never-ending musical “Le Miz.” In Local #1, we have a Le Miza Bob working Legit and one at Jimmy Fallon’s “Late Show.”
Famous Tough Head: "I don't trust that guy... he's always smiling."
hundred-dollar headache--the hundred extra dollars the contract ahead makes doesn't make up for the headaches. "For a hundred dollars more than his/her assistant, the contract head gets all the blame and abuse that he/she can stand. That is a hundred-dollar headache."
loading in sideways--when the load-in of a show is already fucked up, with major technical issues and possibly financial ones. Does not bode well for a long run.
Young Stagehand: "When that tech dies, are you going to his wake?"
Old Stagehand: "Of course. I have to make sure he's dead."
stagehand first aid-- paper towel and electrical tape. "Doing construction, the electrician cut his hand. His partner gave him stagehand first aid, bandaging him up with a paper towel and electrical tape.
"Do it fast, do it wrong, do it over"--when stagehands work too fast and don't concentrate, the boss will have to make them fix their mistakes.
"And the Easter Bunny is Dead"--your optimism is unwarranted, your dreams won't come true, your dreams will be crushed. "My extra man expressed hope that we'd get Sunday off during the last week of production. I said, 'That won't happen, and by the way, the Easter Bunny is dead.'"
to walk someone in--when a Broadway head with a lot of juice takes a protege and walks them into the office of the theater executive who hires heads. Also, to make an introduction to the the executive who does the hiring. For some legendary heads, this was a sure route of getting their own people hired as heads on Broadway.
off-Broadway habits--due to low pay, bad habits develop with some off-Broadway stagehands, including hiding, disappearing to make phone calls and vaping in the theater. "I hired some off-Broadway stagehands for a load in, but they couldn't seem to break some bad off-Broadway habits, like hiding at the end of the day when others were working."
ticket back to the replacement room-- when a stagehand burns his or her own bridges with a head. "The rude young extra man punched his own ticket back to the replacement room during the load-in. He would have to shape the union hall for work."
Jersey Attitude-- a stagehand with an aggressive, stubborn attitude. "The contract propwoman was very difficult, so I hired a day worker with a Jersey Attitude, to make her life hell during production." A Jersey Attitude can be a very effective weapon.
Before he left Local #1 to become a nurse, the rage-filled stagehand used to threaten his fellow stagehands and the occasional star. I used to tell people, "Don't mind him, he's just being his usual asshole self."
"I'm not a psychiatrist...the damage was done long ago." In my first contract job, my boss hated me and kept trying to fire me. Once, he was screaming at me over a half-full trash can. With my sharp tongue, I cut him to bits. "I'm not a psychiatrist...the damage was done long ago," I said, feigning compassion. He was stunned speechless. The next day, he went back to trying to fire me. He never succeeded.
"Evil Gene was always happiest when he was ripping off contract stagehands he'd hired of money they deserved." A reference to a now retired tech, famous for screwing stagehands who worked for him.
(Two Onesies in a bar are talking)
Local One Stagehand #1: "That guy who is sweating you doesn't have a card."
Local One Stagehand #2: "I don't fuck scabs."
Local One Stagehand #1: "What, just kissing?"
a Thanksgiving turkey--a show that opens in the early fall, doesn't sell tickets and closes by Thanksgiving.
big-hair musicals-- big, epic musicals from the 1980's, like "Cats," "Les Misrables" and "Phantom of the Opera."
Stagehand: "That tech keeps circling me...I think he's coming in for the attack."
Head: "Watch out..that old shark still has a couple of good bites left."
"That tech? He is the closest to honorable as techs get on Broadway. When I worked for him, he never screwed me just for fun."
strangling the golden goose--when a stagehand makes a concerted effort to destroy his/her cushy job, resulting in firing or being forced out. "The deranged soundman attacked every department at the big juke box musical. Despite an overage, he attacked his boss, strangling the golden goose. He quit before his inevitable firing."
small ears--a child. When a visiting child is in the building, cut your language. Or if there are children in the show, be more careful. "Watch out, there are small ears in the basement. Stop cursing."
blood in the water--when there is blood in the water, the sharks will come. When a head is on the cusp of being fired, other stagehands will start circling around for his/her job. See also: the vultures are circling
work scared--when long-time stagehands at a venue fear for their jobs, and as a result are hostile to new or younger stagehands that come in.